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Labour Stands Up Against War
The Canadian Labour Congress’s statement on Canada’s involvement in Afghanistan is clear and unequivocal; it calls for the troops to be brought home now. The statement marks a significant step forward for the labour movement concerning the development of policy with respect to the use the Canadian military.
Not only does the CLC demand the “safe and immediate withdrawal of Canadian troops from Afghanistan,” it also challenges many of the arguments used by those who would have our troops die and kill to support the American war in the Middle East.
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Building A Grassroots Opposition to Harper
It hardly needs saying, but it should be acknowledged in any case: The coming period is not going to be an easy one for the Left in Canada. The Conservative government of Stephen Harper has been settling into Ottawa for the long haul. Harper has been exercising power calculatingly, confidently, ruthlessly. The spring budget was revealing. Cheered on by business associations and the mainstream media for its sober fiscal stance, it was critiqued by hard-right neoliberals for alleged fiscal prolificacy, even as it cut over twenty taxes and continued to bring down program spending in relation to a growing economy. An image of moderation was presented, even as neoliberalism was deepened. Addressing an alleged fiscal imbalance sometime in the future was enough to gain the support of an increasingly opportunist Bloc Québocois and to get the budget through the minority Parliament.
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Jazz and Radical Politics
Major social changes in the United States have fundamentally determined the evolution of jazz music, just as they have other art forms. The 1930s were the period of the rise of jazz and the organized Left. Concretely, this meant big bands and the Communist Party. Notwithstanding some early dogmatic opposition to jazz from cultural commissar Mike Gold, the party soon threw itself into proselytizing for jazz and fighting segregation in the music business.
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The Power and the Peace is in the People
During the days of Six Nations activism to reclaim our land near Caledonia, we received thousands of e-mails and calls from people all over the world. The support and ideas that we’ve received have been tremendously gratifying and helpful. Without this solidarity from Natives and non-Natives, the Ontario Provincial Police would have had their way. Blood would have been spilled. Never mind the return of our land – though we are still waiting on that one.
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Responding to the challenge of Peak Oil
With the conservation of resources will come the necessity to stabilize and reduce human populations. The challenging reality is that making society sustainable will require a large-scale reform of governments and economic systems, and the use of mechanisms of authority to apply penalties and offer incentives.
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Québec Solidaire
ost activists in English Canada are unaware of its significance, but a new political party has emerged in Quebec that, in many respects, offers the greatest hope for left politics in Mgenerations. At issue is independence, but not only of Quebec from Canada.
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Harold Innis: An Intellectual at the Edge of Empire
Harold Innis died in 1952, more than a half century ago. He was never a man of the Left; in the 1930s he labeled the CCFers “hot gospellers.” Do we really have anything to learn from him now?
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Tony Clarke’s remarks at Canadian Dimension May Day Dinner
Tony Clarke and Maude Barlow, joint recipients of the prestigious Right Livelihood Award were honoured at the May Day, 2006 Ottawa Annual Benefit Dinner for Canadian Dimension. Here is the text of Tony’s remarks on that occasion
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The Most Dangerous Song in the World
In May of 1871 some 25,000 workers – men, women, children – were slaughtered in the streets of Paris, France by the forces of “law and order” and big capitalist interests. Thirty thousand more were to be jailed, deported and executed in the coming months. Their crime? Proclaiming the world’s first working class-led government known as the Paris Commune.
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Strike! The Musical
The Winnipeg General Strike as a musical? I must admit to having had mixed feelings about the project when I learned about it. The drama and scale of the confrontation create immense artistic possibilities, of course – but also present just as many challenges. I’ve taught the history of the strike for many years and have always been frustrated at the difficulties of conveying to students the drama and importance of these six weeks in the spring of 1919. Academic treatments and documentaries have often been of little help, as they saw the strike a mere episode (a helpful or unhelpful one, depending on one’s politics) on the road to modern liberal democracy.